‘Building Text’ is my first solo London exhibition. Across three buildings at Broadgate London I spent the summer creating an almost entirely new body of artwork. It’s been a busy time that’s really pushed my creativity and design skills.

My starting point was the architectural details of the Broadgate site for the works in Exchange House and Bishopsgate 201. I selected recognisable structural influences, and some more subtle details and shapes from around the site before combining these with a poetic use of words, and Helvetica Bold font.

This exhibition brings together many threads of interest and influence including my fascination with spaces and architecture; themes of the Sun, Moon, and stars, as well as connections to dreams and the Unconscious, which run through much of my work.

I enjoy repetitive use of poems and words, giving a sense of rhythm and graphic design impact to my work. By playing with the same words in different works, I find that I can convey new meaning for my poems through form. For my sculptures, I’ve experimented with repetition of text to create patterns that subtly reflect shapes in the architecture. I use Helvetica Bold font as the basis to my designs because of the beautiful proportions that lend themselves to being joined together and built up into new forms and patterns.

I have also created sculptures that play with the placement of words in relation to the form of the structure, these require more investigation from the viewer as they must read the poems in reflections or at angles and around sides of the pieces. This encouragement for curiosity guides the visitor through the subtle narrative and wordplay as I combine art, poetry and design throughout the exhibition.

Each of the sculptures have been designed with a slotting system to fit together without the use of glue to integrate a structural system and method befitting of the title of the exhibition ‘Building Text’. It’s also playful as it’s reminiscent of the kit models put together by children. Colour and translucency of the Perspex complement the text references, and also the building materials such as the blues, greens and grey on building facades used in ‘Opacity of Dreams’, ‘Housed in Dream’ and ‘House of Echoes’. For ‘Sun’, ‘Moon’ and ‘Twilight’ Houses, and also ‘Star Garden’, I have used a more vivid colour palette to reflect the light types.

In the Broadgate Tower I have photography, graphic design  and other wall-based works with a poetic focus.

You can view ‘Buiding Text’ across the Broadgate site from now until 26th October 2018. Please visit the Broadgate site for access information and opening times.

This exhibition has been beautifully curated by Rosie Glenn.

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I’m excited to be presenting a solo exhibition of text-based artworks consisting of a large-scale installation, works on paper, graphic design, sculptures and other mixed media across three buildings at Broadgate, London.

For ‘Building Text’ I’ve taken the iconic architecture of the Broadgate site as my influence, particularly for the sculptural laser cut Perspex pieces which will be displayed in 201 Bishopsgate. The exhibition is almost entirely new work produced over the last few months, and I must thank Sheffield Hallam University for their generous support in the use of their laser cutters for the development of the Perspex sculptural works, and to AA2A who organised my original residency at Sheffield Hallam earlier in the year. The exhibition opens on Monday 10th September and will be on until 26th October and is part of Broadgate’s Autumn season celebrating the London Design Festival.

Go to the Broadgate site to find out more about the exhibition and opening times.