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2016 – A difficult year politically and globally, but on a personal level it’s been filled with a variety of projects that have made up a year rich in different experiences. Here’s an overview of my artistic year 2016:

I started the year being invited to give a talk about my practice and recent projects at Manchester’s cultural venue, HOME.

I then began a year-long collaborative project with a sculptor, Sarah Smith, and sound artist, Caro C. ‘Nature, Skin and Bones’ took us walking around the Yorkshire Dales, up hills and into caves to explore our connection with nature and the land, together with addressing our transient place in the world.

 

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The project culminated in an immersive installation at the National Parks Museum, Hawes from October – December 2016. It was an interesting collaboration as even though we took main control over our specialist parts (light, sound, sculpture) we spent a lot of time discussing the symbolism of the work, the collective effect we wanted to give upon entering the space. Caro and I had a word jam to be included in the sound work, I ensured my lighting was not merely to illuminate Sarah’s wonderful sculpture but to add to the entire effect of the piece.

Simple lighting made the moonlike drum glow from within, spotlights picked out flecks and shadows of ancient stones and a stone pool of water, plus a simple low level bulb cast shadows of the work across the space like in a cave. Visitors’ shadows would also be cast across the space, making them a fleeting part of the work. Feedback was extremely positive, many felt the space was meditative and it slowed them down to become more present and inquisitive. A longer film about the project will be presented in the new year.

 

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I had my work picked up by the popular online magazine The Creators Project and they wrote a lovely article here.

Another project that ran throughout the year was my continued work with The Stroke Association and University of Manchester, called Stroke Stories. Last year we ran a series of creative workshops covering creative writing, visual arts, photography and music (find out more here) which culminated in an exhibition at Manchester Central Library. This year I curated a third, larger exhibition of the work and project at Victoria Baths in Manchester. Find out about my curatorial process here

 

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This project won ‘highly commended’ at the University of Manchester’s Making a Difference Awards 2016. After the final exhibition I organised a symposium about the project and arts and health issues at The Whitworth Art Gallery. We had presentations from participants and artists, panel discussions including experts from Arts Council England, University research specialists, stroke consultants and NHS directors. This was an excellent round up of the project but it also started a wider conversation about the benefits of this type of work with survivors of stroke that will be continued well into the future and I’m excited to be a part of helping to implement.

 

Another continuing project is my work co-directing Manifest Arts. This year was the year between festivals (Manifest Arts Festival is biennial) so we turned our attention to a new way of manifesting (!) arts in the North West and obtained Arts Council England funding to conduct a series of interviews with artists working in the North West for our Manifest Arts Podcast series. We interviewed many artists, curators and gallery directors. Find out more and access the interviews here. The series proved so successful that we are continuing to conduct interviews for the podcasts into the new year.

 

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Also as part of Manifest Arts, we had Manifest at The Manchester Contemporary, the largest art fair of its kind in the North of England. We promoted the festival and represented and sold the work of two North West based artists we feel are creating exciting and interesting work at this time. We chose fine artist, Helen Wheeler, and fine art photographer, Lucy Ridges. Find out more about them and the Manchester Contemporary here.

 

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Manifest Arts at The Manchester Contemporary – work by Helen Wheeler and Lucy Ridges

 

In September I was fortunate to have my work DREAMERS shortlisted for the prestigious international lighting awards, the Darc Awards in the ‘Best Light Art (Low Budget)’ category.

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I also had a 2-page feature spread in international lighting design magazine, Mondo*Arc: 

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In October I had two new commissions in the Blackpool Lightpool light festival. I created a new version of ‘The Stories Under Our Feet’ for a set of eight benches in Blackpool centre. The poem works physically and thematically with the flow of people around the space:

I pass you at night

Dreaming in Parallel

Dreaming in Parallel

I pass you at night

Depending on how you moved around the piece, the poem could be read in different permutations and still make thematic sense.

 

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I also created ‘I Waited’ in response to the loneliest bench in Blackpool. A man stands looking out to sea but all that is left is his shadow. A work about love lost, anticipated or unreciprocated (depending on your viewpoint).

I was so pleased with the public response to both works, to create something that made visitors look at the often overlooked spaces anew.

 

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I met with lighting company, Megaman, to discuss my journey into becoming a light artist. They published the interview here.

I ended the year with a new work, well, a continuation of an old work that I’ve picked back up for further development. I created a Moon Book (from my Sun and Moon Book series – more to come later). The poem ‘In the wisdom of moonlight/ Nothing stays the same’ is revealed by the transient light of the full moon. I took a timelapse of the moonlight poem being projected by the light from the December 2016 super moon and created a GIF out of it. The words fade in and out and shift across the floor as the moon moves across the sky and clouds pass over – activating the poem’s transient meaning. The GIF is a never-ending loop of this timelapse to represent the constant and cyclical nature of the moon’s phases:

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The GIF doesn’t embed so here’s the video to show the same effect (but not on never-ending loop I’m afraid!)

 

 

This year has been full of variety, which is just what I enjoy in my work. I’ve learned new things, met many new people and been so pleased with the reception to the artwork I’ve created and curated. Plans are starting to shape up for 2017 and I’m excited to see what it will bring! Happy new year!

 

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Really pleased to have been featured in an article about the thriving cultural arts scene in Manchester in the Saatchi Art and Music North issue.

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Saatchi 2015 front cover

The featured work was for 2014 Enlighten Manchester Festival of Light Art. It’s called ‘A Solid Wish Scatters’ and was installed in Manchester Piccadilly Gardens. The earthly presence of the blocks scatter into an ephemeral light piece on the concrete wall to show all that is solid is still fragile and all that is perceived to be permanent never will be. Read more about the work here.

I will be exhibiting in this year’s Enlighten Manchester 10th-12th December, showing ‘The Stories Under Our Feet’ around the benches of Manchester Central Library and ‘Lost and Found’ within the library itself. For more information and to book free tickets to the festival visit the Enlighten Manchester website. These works have been created with the support of Arts Council England.

 

 

 

I interviewed Chris Lowe, Senior Lighting Designer at international architectural firm, BDP. We talked about his work as a lighting designer, his love of Tungsten lamps and guerrilla lighting, all published in The Double Negative. View the full article here.

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I will be exhibiting a piece of light art  as part of the Haecceity Project at Nouvel Organon Gallery, Paris 13th-16th July 2012. I’m really excited to be part of this project, which has already had international press coverage as far as Mexico in newspaper, Excelsior. The exhibition features work from a range of international artists, under the theme of ‘the visual image and literature’. Not only this, but over the weekend there will be live music and drinks, with other activities being planned as I write. So, if you’re in Paris next weekend, please do come along! Go to the Haecceity Project website for more details.

An Interactive Start

October 2, 2010

This summer has whizzed by, I haven’t had much chance to work fully on any major projects, just a few things here and there – mainly experimenting with shadows and doings a few stop motion animations. I’ve also made some new jewellery, of which I hope to post some pictures up soon.

Most of my time has been taken up with working; I was lucky enough to be asked to write the Property pages for the London Metro newspaper for a large chunk of the summer months. It was great to get my teeth into the full-page articles; I enjoyed interviewing a range of people including architects, directors of football teams, trendy movers and shakers of Kensal Rise and (of course) estate agents. I’m happy to be writing again and hope to do some more newspaper and magazine work throughout the rest of the year.

Now to the start of university; a couple of weeks ago I started the Interactive Arts course at Manchester Metropolitan University. It’s still early days yet, but so far I’m happy with the enthusiastic tutors, my fellow students seem gregarious characters and I can’t wait to get on with some art work!

Last week we went to the Imperial War Museum North, the most memorable part was going up in a rickety lift to the ‘air’ section of the impressive building by architect Daniel Libeskind. At the top of the lift we were greeted with a long passageway flanked by metal sheets and with a floor made from some sort of grill with a view right through to the ground very far below. I didn’t think I’d be too scared, but I have to say that my knees did have an involuntary wobble at the sight and walking along was a strange experience with the wind whipping around and nothing to hold on to, even for the psychological aid! Views from the main platform were great though.

 This week we got into groups to create a themed party, my group had ‘astronauts party’ for which we covered a blacked out room with tin foil, projected a film of the moon on to one wall, played space-themed music and hung flying saucer sweets from the ceiling to play gravity-free UFO bobbing. We dressed as astronauts and baked away in the room we’d unwittingly insulated…