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2016 – A difficult year politically and globally, but on a personal level it’s been filled with a variety of projects that have made up a year rich in different experiences. Here’s an overview of my artistic year 2016:

I started the year being invited to give a talk about my practice and recent projects at Manchester’s cultural venue, HOME.

I then began a year-long collaborative project with a sculptor, Sarah Smith, and sound artist, Caro C. ‘Nature, Skin and Bones’ took us walking around the Yorkshire Dales, up hills and into caves to explore our connection with nature and the land, together with addressing our transient place in the world.

 

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The project culminated in an immersive installation at the National Parks Museum, Hawes from October – December 2016. It was an interesting collaboration as even though we took main control over our specialist parts (light, sound, sculpture) we spent a lot of time discussing the symbolism of the work, the collective effect we wanted to give upon entering the space. Caro and I had a word jam to be included in the sound work, I ensured my lighting was not merely to illuminate Sarah’s wonderful sculpture but to add to the entire effect of the piece.

Simple lighting made the moonlike drum glow from within, spotlights picked out flecks and shadows of ancient stones and a stone pool of water, plus a simple low level bulb cast shadows of the work across the space like in a cave. Visitors’ shadows would also be cast across the space, making them a fleeting part of the work. Feedback was extremely positive, many felt the space was meditative and it slowed them down to become more present and inquisitive. A longer film about the project will be presented in the new year.

 

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I had my work picked up by the popular online magazine The Creators Project and they wrote a lovely article here.

Another project that ran throughout the year was my continued work with The Stroke Association and University of Manchester, called Stroke Stories. Last year we ran a series of creative workshops covering creative writing, visual arts, photography and music (find out more here) which culminated in an exhibition at Manchester Central Library. This year I curated a third, larger exhibition of the work and project at Victoria Baths in Manchester. Find out about my curatorial process here

 

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This project won ‘highly commended’ at the University of Manchester’s Making a Difference Awards 2016. After the final exhibition I organised a symposium about the project and arts and health issues at The Whitworth Art Gallery. We had presentations from participants and artists, panel discussions including experts from Arts Council England, University research specialists, stroke consultants and NHS directors. This was an excellent round up of the project but it also started a wider conversation about the benefits of this type of work with survivors of stroke that will be continued well into the future and I’m excited to be a part of helping to implement.

 

Another continuing project is my work co-directing Manifest Arts. This year was the year between festivals (Manifest Arts Festival is biennial) so we turned our attention to a new way of manifesting (!) arts in the North West and obtained Arts Council England funding to conduct a series of interviews with artists working in the North West for our Manifest Arts Podcast series. We interviewed many artists, curators and gallery directors. Find out more and access the interviews here. The series proved so successful that we are continuing to conduct interviews for the podcasts into the new year.

 

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Also as part of Manifest Arts, we had Manifest at The Manchester Contemporary, the largest art fair of its kind in the North of England. We promoted the festival and represented and sold the work of two North West based artists we feel are creating exciting and interesting work at this time. We chose fine artist, Helen Wheeler, and fine art photographer, Lucy Ridges. Find out more about them and the Manchester Contemporary here.

 

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Manifest Arts at The Manchester Contemporary – work by Helen Wheeler and Lucy Ridges

 

In September I was fortunate to have my work DREAMERS shortlisted for the prestigious international lighting awards, the Darc Awards in the ‘Best Light Art (Low Budget)’ category.

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I also had a 2-page feature spread in international lighting design magazine, Mondo*Arc: 

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In October I had two new commissions in the Blackpool Lightpool light festival. I created a new version of ‘The Stories Under Our Feet’ for a set of eight benches in Blackpool centre. The poem works physically and thematically with the flow of people around the space:

I pass you at night

Dreaming in Parallel

Dreaming in Parallel

I pass you at night

Depending on how you moved around the piece, the poem could be read in different permutations and still make thematic sense.

 

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I also created ‘I Waited’ in response to the loneliest bench in Blackpool. A man stands looking out to sea but all that is left is his shadow. A work about love lost, anticipated or unreciprocated (depending on your viewpoint).

I was so pleased with the public response to both works, to create something that made visitors look at the often overlooked spaces anew.

 

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I met with lighting company, Megaman, to discuss my journey into becoming a light artist. They published the interview here.

I ended the year with a new work, well, a continuation of an old work that I’ve picked back up for further development. I created a Moon Book (from my Sun and Moon Book series – more to come later). The poem ‘In the wisdom of moonlight/ Nothing stays the same’ is revealed by the transient light of the full moon. I took a timelapse of the moonlight poem being projected by the light from the December 2016 super moon and created a GIF out of it. The words fade in and out and shift across the floor as the moon moves across the sky and clouds pass over – activating the poem’s transient meaning. The GIF is a never-ending loop of this timelapse to represent the constant and cyclical nature of the moon’s phases:

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The GIF doesn’t embed so here’s the video to show the same effect (but not on never-ending loop I’m afraid!)

 

 

This year has been full of variety, which is just what I enjoy in my work. I’ve learned new things, met many new people and been so pleased with the reception to the artwork I’ve created and curated. Plans are starting to shape up for 2017 and I’m excited to see what it will bring! Happy new year!

 

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DREAMERS

DREAMERS

It has been another wonderful and creative year, one in which I’ve been fortunate enough to make some of my creative dreams a reality. Here’s a recap of my artistic year 2015 (which, incidentally, was also the International Year of Light):

First up I had my interview with BDP Lighting Designer, Chris Lowe published on The Double Negative. Chris worked on the lighting scheme for winning UK Pavilion at the Milan Expo.

My ‘Too Soon Sun Slips Into Night’ poem was projected onto a large grassy bank as part of Spectra Aberdeen in February.

March was a busy month as I found my beloved studio in the centre of Manchester, Grumpy Studios, was closing down. I was sad to leave the space as we’d created a fantastic community of artists. However, with every end, there must be a new beginning (excuse the cliche!) and I, together with some artists and writers from Grumpy Studios, were welcomed in to another diverse artistic studio community at ArtWork Atelier.

Shortly after the studio move, I exhibited in a joint exhibition with Richard Hughes (who was also selected as Tim Marlow’s NOISE Festival Curator Choice). The exhibition was called ‘A Slow Passion’ and installed as one of the last shows at Castlefield Gallery’s Federation House.

Ambiguous Borders in 'A Slow Passion' exhibition

Ambiguous Borders in ‘A Slow Passion’ exhibition

 

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Mirror detail

Throughout May I ran a set of creative art workshops for the Stroke Association as part of the Stroke, Science, Art project. This culminated in an exhibition of the project that I curated at Manchester Central Library and also ran a pop up exhibition/workshop at Manchester Museum in October.

Stroke Association Art Workshops

Stroke Association Art Workshops

 

Together with fellow directors, Roger Bygott and John Lynch we piloted Manifest, a city-wide festival of visual art in July. We pulled off our pilot festival over three incredibly full days during the busy Manchester International Festival period. With press coverage in a-n and exhibitions at some of the most prestigious cultural venues in Manchester and Salford, plus the support of the artistic community behind us, I think we represented the scene in the cities well. More about the weekend here.

Manifest Logo

Manifest Logo

 

A performance collaboration with Rafael Perez in July at the ‘It’s Ok, you don’t have to like it’ exhibition at TRACK Manchester. Rafael wasn’t able to make the exhibition so Manifest co-director and interdisciplinary artist, Roger Bygott, stepped in to perform the shadow chase/connection with me, bringing his extensive knowledge of physical performance art and dance, adding to the collaboration. A lot of my work has a performative/interactive aspect, either within its creation (I use dance to evolve ideas) or with the visitor when a work is exhibited. This was the first time I was actively involved as a visible performer and although uneasy at first, I enjoyed the interaction with another person and seeing the film and pictures of it afterwards.

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Roger Bygott and I performing the shadow chase

 

In September I accepted another new collaboration, “The Copenhagen Interpretation” this time with photographer, Christian Dyson. I did the lighting design for a fashion shoot and even got to try out a few test shots of my own! There’s also a great behind the scenes video of the project. A really enjoyable day and great team of people making it happen.

The Copenhagen Interpretation - my bts picture

The Copenhagen Interpretation – my bts picture

 

I had ‘A Solid Wish Scatters’ featured in the Saatchi Art and Music Magazine.

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And in November I exhibited my biggest outdoor work at the UK’s largest light festival, Lumiere Durham. DREAMERS was exhibited on one of my favourite sites of the festival to over 200,000 visitors and I’m so pleased to say that it was really well-received with the sound of joy and laughter as people played in the work. I’ve admired Lumiere Durham for many years, so to be given the opportunity to be included and to see so many people enjoy the work highlights exactly why I make the type of work I do.

Visitors enjoying casting their shadows

Visitors enjoying casting their shadows

 

To round the year off nicely, I exhibited two pieces at Enlighten Manchester Festival of Light and Sound Art. I consider that I had one of the best exhibition spaces in the city as I developed poetry to trim the popular and prominent benches that surround Manchester Central Library. I also exhibited “Lost and Found” inside the library. A fantastic end to the year as I saw visitors enjoying both pieces. The project was made possible by public funding from Arts Council England. See more pictures here.

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The Stories Under Our Feet photo by John Lynch

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Lost and Found – photo by John Lynch

This year my work has been placed within the public realm more so than ever before, and I have also learnt and tried many new things to develop different strands to my practice. Creating work for the public is an exciting prospect, but nerve-wracking process. I don’t know whether people will engage with the work until it is exhibited, and by that point, it’s impossible to make any changes. I feel a mixture of relief and a huge amount of joy at seeing people engaging so positively with each work this year. With every project I have not been alone in ensuring the work gets to where it is exhibited; I work with the festivals’ teams, manufacturers and sponsors who all play a part, so I’m grateful to have worked with so many talented and enthusiastic people. 

 

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Me with one of my poems – photo by John Lynch

Lumiere Durham 2015

December 7, 2015

DREAMERS by Elisa Artesero

DREAMERS by Elisa Artesero

I’ve previously written about my admiration of the UK’s largest light festival, Lumiere Durham. The wonder and magic that the festival creates in the picturesque northern city is an inspiration to me as an emerging light artist. It has also certainly been one of the biggest influences in my artwork development and desire to create large-scale light art for the public realm. I often wondered what I’d do if got the chance to exhibit there, and this year I got the opportunity!

DREAMERS was installed in Durham’s Crown Court Gardens. It was inspired by Japanese paper screens and the Basho Zen poem:

‘Guest’s shadow through
the paper screen – I sit dreaming over charcoal fumes’

Large letters of mirror and steel were scattered across the grass and cast shadows onto a screen. It was a sculptural space for visitors to explore and become a part of the work as either participant or viewer. A light wash from behind the letters cast their shadows onto the screen to spell the word DREAMERS along with the shadows of the visitors that animated the space with their bold light and shadow play.

Visitors enjoying casting their shadows

Visitors enjoying casting their shadows

I was so pleased with the visitor reaction to the piece. People immediately understood the work and often spent a long time in the installation trying out different shadow effects. The space was filled with joy and laughter and it was a pleasure to see how imaginative people were with the work. There were tugs of war, dance routines, bicycles, umbrellas, kisses, hugs and many more poses throughout the weekend as each visitor cast their fleeting shadow on the screen.

Tugs of war - visitors getting creative with their shadows!

Visitors getting creative with their shadows!

I think play, joy and wonder are essential parts of our lives, so to facilitate that feeling in any small manner within a piece that I create brings me much joy also. With a lot of my work I create immersive spaces that incorporate text, light, shadow and sculpture. It is often inspired by themes of transience, the nature of happiness and hope.

This year’s Lumiere was as exciting and wonderful as always. There were some amazing installations across the city, which I was also lucky enough to explore on the final night. I feel honoured to have been a part of it and it continues to inspire me to create more work.

Many thanks go to the festival producers, Artichoke, and to the generous support of Dyer Engineering who manufactured the work.

DREAMERS

DREAMERS

 

 

Next up to show at is the Enlighten Manchester Festival of Light and Sound Art, 10th-12th December, for which I have received support using public funding by the National Lottery through Arts Council England.

Really pleased to have been featured in an article about the thriving cultural arts scene in Manchester in the Saatchi Art and Music North issue.

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Saatchi 2015 front cover

The featured work was for 2014 Enlighten Manchester Festival of Light Art. It’s called ‘A Solid Wish Scatters’ and was installed in Manchester Piccadilly Gardens. The earthly presence of the blocks scatter into an ephemeral light piece on the concrete wall to show all that is solid is still fragile and all that is perceived to be permanent never will be. Read more about the work here.

I will be exhibiting in this year’s Enlighten Manchester 10th-12th December, showing ‘The Stories Under Our Feet’ around the benches of Manchester Central Library and ‘Lost and Found’ within the library itself. For more information and to book free tickets to the festival visit the Enlighten Manchester website. These works have been created with the support of Arts Council England.

 

 

 

Manifest Arts Festival 2015

December 3, 2015

Manifest Poster

Manifest Poster

This July Roger Bygott, John Lynch, and I directed a city-wide (Manchester and Salford) visual arts festival:

Manifest is a visual arts festival, showcasing the talent of North West based artists in a series of exhibitions and events across Manchester and Salford.

It took place 10th-12th July 2015 and during the second weekend of the busy Manchester International Festival. The timing was deliberate so that the festival would give visitors a flavour of the creative activity going on across the two cities all year round.

The exhibitions and events in the Manifest programme were at some of Manchester’s most prestigious institutions, such as Manchester Craft and Design Centre, John Ryland’s Library, and the newly opened HOME. Artist studios across both cities were coordinated for the first time to have open studios during the festival weekend to give a closer look at the scope of art being created across the city.

This year was a pilot festival and run on the passion of its participants, and we’re so thankful for the enthusiasm and support in making it happen. We couldn’t have been more pleased by the reaction of visitors and participating artists.

Our reasons for setting up Manifest:

Roger Bygott: For me the inspiration and spirit of Manifest is about community association, trusting grassroots links and mutual encouragement. As artists practicing within this broad vibrant community we aim to help strengthen those connections and to share more widely and publicly the artistic fruits emerging from it.”

Elisa Artesero: “Many of the artists in Manifest exhibit nationally and internationally but remain based in the North West. We want to show the high standard of contemporary art being produced on our doorstop.”

John Lynch: “Artists want their work to be seen, we present the opportunity to see it.”

We even got a feature interview in a-n

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The festival was a huge success in more ways than we’d expected and we’re still receiving positive feedback about the impact it has had on participating artists’ careers. During the three days and nearly 30 different events/exhibitions artists: sold their work, had in-depth critiques with curators, they gained commissions and potential exhibitions, and were able to show their work to an audience that would not have had the opportunity to see their work otherwise.

Months down the line we got an email from Susan Gunn, one of the artists to present her work at ‘Manifest Calling’ a show and tell at HOME. She had been contacted by contemporary classical composer, Ailis Ni Riain, who was impressed by her work when she presented it at ‘Manifest Calling’, and asked if she would design the album cover for her album ‘Linger’.

The pilot festival gave us a chance to just give it a go, to test the idea of the festival and to see if it would be possible to run. The three of us had an incredibly busy weekend trying to document all the events and ensure they were running as planned. My pet project for the weekend was to try out live streaming the festival with the Periscope app to give online viewers a flavour of parts of the festival. I didn’t know how useful or popular this would be, but it turned out to be surprisingly popular, getting up to 70 live views at a time. Not bad for a fairly new piece of technology and first festival!

We ended with a closing party at media bar, Texture, which was a lovely celebration of the weekend. One of the joys for me (and I’m sure Roger and John, also) was to spend an entire weekend looking around the cities’ arts spaces, seeing fantastic contemporary artwork, having lively conversations about the artistic and cultural scene and the lives and exciting careers of those who are based here.

Although, admittedly, there was almost too much to be able to get around in one weekend, it was brilliant to have it all there to choose from, a snapshot of the kind of things that are going on (often behind closed doors of studios) all year round. To able to facilitate that in some way was an absolute pleasure, and I think we proved what we set out to do – which was to show that we live in a vibrant and thriving cultural space that needs to be showcased every so often.

As for the future of Manifest, well, watch this space.

Manifest Logo

Manifest Logo

 

All photos taken by John Lynch, and the logo and programme designed by the talented Stephanie Hamer. 

Throughout 2015 I worked on a project with stroke survivors. I ran a set of visual arts workshops and curated the final exhibitions: one at Manchester Central Library, and the other at Manchester Museum. It was a wonderful experience and I feel privileged to have been through the process to help facilitate some of the workshops and to be able to curate the final exhibitions to help to tell these survivors’ stories.

About the project:

The Stroke Association and The University of Manchester ran creative workshops with 15 stroke survivors across a 9-month period in 2015. These focused on creative writing, visual arts and photography. The interactive workshops brought together stroke survivors, artists, filmmakers, clinicians, researchers and students from the University of Manchester and Salford Royal hospital.

Personal and collective stories of life before and after a stroke are told through the survivors’ artistic interpretations. Many of the survivors were shown the brain scan of their stroke. They were talked through their individual scans by leading stroke consultant, Professor Pippa Tyrell and NIHR Clinician Scientist Dr Adrian Parry-Jones, who explained the areas of the brain that were affected by the stroke and answered any questions they had. This was often an emotional moment and many of the survivors used this experience to create artistic responses and explore their feelings towards the journey from having a stroke to the lives they now live.

The Manchester Central Library exhibition, as part of The Manchester Science Festival, gave a more personal insight into a complex and often devastating condition. It is, however, also to show that there is potential for an enriching and positive life after stroke.

The pop-up exhibition and mask-making workshop at Manchester Museum on World Stroke Day was as a result of a special workshop I led during the project. Participants were given a tour of the Museum’s mask collection then they were given coloured tissue paper, glue and scissors to create masks that would reflect different emotions. Masks were made to represent or cover up emotions and also to promote positive emotions.

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With thanks to the survivors who created these personal and expressive pieces of artwork:

Peter Osbourne, Keila Moore, Peter Wright, Raymond Garner, Paul Edgerton, Mary Davis, Janette Kirkham, Debbie Concagh, Mark Pizey, George Shone, Janet Stoppard, Carol Banks, Ann Williams, Michaela Holden, Graeme Snell

Also many thanks to the other workshop leaders – Caroline Edge for photography, and Janet Rogerson for creative writing. Special thanks to Joyce Booth and the volunteers from the Stroke Association for helping to coordinate and facilitate all of the workshops, and to Dr Stephanie Snow, who has led the project and is using this as research for her work on documenting the History of Stroke.

A video of the project:

 

Light Holds Me Here exhibition (photo credit S.Illes)

Light Holds Me Here exhibition (photo credit S.Iles)

This year I made what only existed in my mind into a reality. There’s not much more an artist can ask for, really! Here’s a recap of my artistic year gone by.

In January my degree piece ‘Leap and the Net Will Appear’ was still on show as part of the Nesta Art Showcase, selected from a national call out to be exhibited in central London at the Nesta gallery space.

Leap and the Net Will Appear

Leap and the Net Will Appear

In February I continued to be part of the DIY Art School, a year-long project by art school graduates wishing to continue the momentum of creative learning in the year after graduation. For this we had weekly meetings and scheduled artist talks, workshops and crits.

March saw the success of DIY Art School continue as I was asked to represent the group by giving a speech at the opening of Castlefield Gallery’s New Art Spaces, Federation House. I was pretty honoured to be speaking along side the likes of Maria Balshaw, Director of the Whitworth Gallery and Manchester Art Gallery.

Jumping ahead to May and I was selected as one of the UK representative artists for the ‘Art of Youth’ Youth in Action European Commission project in MontenegroThe programme brought together participants from across Europe to learn about different contemporary art practices, European Citizenship, and to create collaborative pieces of artwork to be exhibited in the open air amphitheatre in Old Bar, Montenegro. As well as being creatively stimulating and getting to exhibit in such an unusual space, I also made many friends that I’m still in contact with today.

Unity sunlight

Unity sunlight

I was over the moon to get Arts Council England funding in June for ‘Light Holds Me Here a period of research and development of my practice to help to fuse my two creative backgrounds of light art and writing. This project helped to shape the rest of the year as I was working towards a solo exhibition and to show work in the Faroe Islands later in the year. I also started working with Curated Place, who supported my application and my progress throughout the year.

 

 

In July I also began a new research project, Manifest, with fellow artists, John Lynch and Roger Bygott. This also received Arts Council England funding and allowed us to look into the feasibility and planning of a festival that supported North West based artists and would run alongside the Manchester International Festival in 2015.

September was a red-letter kind of a month for me. I was honoured to have been selected as Tim Marlow’s Curator Choice for Fine Art for NOISE Festival 2014. I went to the press launch at the House of Commons and found out that my winning entry ‘Sun Scroll‘ was to be exhibited at the Manchester Buy Art Fair, then at the Tetley in Leeds and also a picture of it was placed on a plinth and exhibited on London’s South Bank for nearly 3 months!

I was also awarded ‘Outstanding’ for my ‘Sun Bowl’ and ‘Excellent’ for ‘Leap and the Net Will Appear’ for NOISE Festival by the CEO Denise Proctor.

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Sun Scroll picture on plinth on the South Bank, London

 

Alongside this, I exhibited my final work for Light Holds Me Here developed over the summer in a solo exhibition of the same name at Castlefield Gallery’s New Art Spaces. An absolute dream of an experience and I was really pleased with the great feedback from visitors.

Light Holds Me Here

Light Holds Me Here self portrait in the installation

 

In October I developed and delivered a series of expressive drawing and working with words workshops with stroke survivors for the Stroke Association. This was a new experience for me and I was pleased that the participants enjoyed it too and created some amazing artwork in the process.

Stroke Association Workshop

Stroke Association Workshop

Curated Place took me to Copenhagen and then the Faroe Islands in November. In the Faroes I exhibited a poem installation,Ambiguous Borders together with a poem written in response to mine by Faroese poet, Oddfridur Marni Rasmussen, at the light art and literature festival, Bóka Dagar. I also had the generous support of fellow light artist, Ulf Pederson, as he enabled me to project more of my poetry onto the buildings of the Faroese National Broadcasting house.

'Ambiguous Borders' exhibited in the Faroe Islands

‘Ambiguous Borders’ exhibited in the Faroe Islands

December was another busy month as I was chosen as one of Red Bull Studios’ ‘Red Bull Collectives 2014. For this I got to collaborate with award-winning photographer, Layla Sailor, to creative an exhibition ‘Fragment|Reflect’ at the Red Bull Studios on Tooley Street, central London.

'You Hide in Spaces' at Fragment|Reflect, Red Bull Studios

‘You Hide in Spaces’ at Fragment|Reflect, Red Bull Studios

To end the month and year, I was awarded another Arts Council England Grants for the Arts grant to create new piece of work, A Solid Wish Scatters for the Enlighten Manchester festival of Light Art. I exhibited one of my largest pieces of work yet in the centre of Manchester in Piccadilly Gardens.

I couldn’t have wished for a more positive end to the year and I thank all my colleagues, sponsors and supporters who all helped to make it actually happen.

A Solid Wish Scatters. Photo credit J.Lynch.

A Solid Wish Scatters. Photo credit J.Lynch.

 

 

 

 

 

 

I’m really excited to announce that I will soon be starting on a new project ‘Light Holds Me Here’ to create a new body of work which will fuse my two creative backgrounds in light art and literature. This project is made possible by my successful application to Grants for the Arts, supported using public funding by the National Lottery through Arts Council England.

The resulting work will be exhibited at a solo show at Castlefield Gallery’s New Art Spaces, Federation House, Manchester from 24th-28th September 2014. One of the pieces will also be exhibited at a light art and literature festival in the Faroe Islands in November with the support of Curated Place, who have been instrumental in developing the application and project plan allowing me to undertake an international commission.

I will be updating this blog with my progress and lots of other exciting developments as I go, but in the meantime, here’s some more information about my supporting partners:

 

Arts Council England

 

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Arts Council England champions, develops and invests in artistic and cultural experiences that enrich people’s lives. More information can be found here.

 

Curated Place

 

 

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Curated Place is a creative production company that delivers unique events in galleries, museums and venues across the UK, Europe and the Middle East. They’re always interested in working with new artists on financing and running projects and can be contacted at info@curatedplace.com or go to their website here.

 

Castlefield Gallery’s New Art Spaces (NAS)

 

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Castlefield Gallery’s New Art Spaces (NAS) is an initiative to create dynamic project spaces for artists, artist collectives and artists development agencies. Making use of temporary vacant retail, office and light industrial units, NAS provides opportunities for emerging creatives to incubate their practices, produce work and showcase new art to local communities. Currently CG runs New Art Spaces in Leigh, Widnes, Salford and city centre Manchester. More information can be found here.

 

Art of Youth Group Photo

Art of Youth Group Photo

I was recently selected as a UK artist representative for the Youth in Action, Art of Youth European Commission programme held in Montenegro.

The programme brought together participants from across Europe to learn about different contemporary art practices, European Citizenship, and to create collaborative pieces of artwork to be exhibited in the open air amphitheatre in Old Bar, Montenegro.

One of the things that took me, and the other three artists from the UK and Ireland, by surprise was that not all the participants were professional artists. From the selection process we had been through here, we thought it was a prerequisite. In fact, the participants from the other European countries (mainly from the Balkans) were from many different disciplines. Some were studying and others were professionals in fields such as architecture, computer science, cognitive science, art history, graphic design, law, and youth work. This turned out to be a wonderful mix, revealing knowledge, skills and different perspectives that might not have been present had the whole group been full of fine artists. It worked for lively and interesting debate about the topics concerning European Citizenship and the politics affecting each country and collectively.

The training part of the course took the form of lectures about contemporary arts practice and seminars about sense of place and European Citizenship. Details of these and the structure of the programme can be found on the blog set up by Ion Creative’s Nancy Barrett: Same Difference.

I’m still reflecting on the full experience of my time in Montenegro and the people that I met. I came away with a feeling of such happiness with the experience, the group had gelled so well, and considering we had many strong, vibrant characters among us, there was never any conflict, just sharing and understanding.

I learnt much about the different customs in each country and the passion everyone had about keeping their own national customs and identity, but also being part of the European Union as a whole, and that this was never viewed as a dichotomy.

I’m writing this on the day of the European elections with many anti-EU parties campaigning to take the UK out of the EU, precisely because they feel the UK is somehow restricted, our culture threatened and at a disadvantage by being in the EU. The main topic that came up in the Youth in Action programme was the freedom of movement, exchange of ideas and cultural experiences that being part of the EU could afford us all. To restrict that again, in my view, is to take the UK backwards, cutting off the nose to spite the face.

Unity sunlight

Unity sunlight

The group I worked with were keen to learn about using light as an art form, and so we made two pieces of work, the first a sunlight performance piece, and the second a night-time light photography made one evening on the beach with us all running around with torches probably looking possessed to any passers-by who wouldn’t necessarily realise that we were ‘drawing with light’ to 15 second exposures.

Unity

Unity is a two-part piece of work. The first is a performance using sunlight and mirrors. Five people transmit a beam of sunlight to each other in a star pattern, finally reflecting the word ‘unity’ onto the ground of the space. The unified action shows the positive effects of collaboration and understanding between EU countries. The second part is night-time light photography which addresses differences and obstacles faced through lack of understanding and knowledge of other countries. The result is a highly stylised and abstract interpretation of these issues.

Artists: Elisa Artesero Danijela Kojic Aleksandar Dragas Marta Garcevic Natasha Jordanova Genc Hani

Other pieces of work were dancing and painting performances, installations, stop motion animation and Christo-inspired tree-wrapping.

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There were many other facets to this experience; for instance the intercultural nights, where we were introduced to the strangely popular musical genre of “Turbofolk” in the Balkans, awesome fast-food pastry dish of Burek, the fact that Bulgarians nod when they mean ‘no’ and shake their heads when they say ‘yes’, and some great ska and punk from Croatia. We also ate a lot of Montenegrin cheese. A lot of cheese.

A wonderful experience that I’ll cherish for many years.

 

City Suns 1,2 & 3

Elisa Artesero City Suns 1,2 & 3

I exhibited my ‘City Suns 1,2 & 3‘ at Experience Needed exhibition at Piccadilly Place this week.

City Suns 1,2 & 3 are part of an on-going series of work. They represent the colours and patterns of the sun in the city that I observe at different times of the day and year, presented in abstract form.

The physical pieces are abstract works within themselves, but they are also activated into an ephemeral light piece to represent the fleeting and intangible experience of a sunrise or sunset in the city.

The exhibition showcased a number of recent art school graduates predominantly from art schools in the North West and featured live ‘experiences’ each day. Find out more about the exhibition and the other artists involved here.

Meanwhile, here are a few more pictures from the exhibition:

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