A Solid Wish Scatters

December 11, 2014

A Solid Wish Scatters

A Solid Wish Scatters

I’m really pleased to present a new public realm artwork ‘A Solid Wish Scatters’ supported using public funding by the National Lottery through Arts Council England.

The work is on show now until Sunday 14th December as part of the Enlighten Manchester Festival of Light Art in Piccadilly Gardens run and produced by Curated Place.

‘A Solid Wish Scatters’ is an installation made of concrete blocks to echo the concrete of its surroundings. The words reflect up onto the famous concrete wall in Piccadilly Gardens. The earthly presence of the blocks scatter into an ephemeral light piece on the wall to show all that is solid is still fragile and all that is perceived to be permanent never will be. Its presentation here is using spotlights for the dark winter nights, however it is also a sunlight-activated work when re-located to a South-facing wall.

I’ll update my blog with more pictures and maybe even some video very soon. In the meantime however, pop down to look at the work for yourself!

 

 

 

 

 

 

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LHMH Elisa Artesero self portrait

I exhibited my Arts Council England supported work ‘Light Holds Me Here‘ at Federation House, Castlefield Gallery New Art Spaces in Manchester 24th-28th September 2014.

I’d been exploring the themes of desire and void through new writing and presented it in a large-scale installation using light and shadow effects. I developed the work as something akin to a dream world, one which tracks a domestic space but is presented in abstract and sculptural form. I wanted the space to be something the visitor could become a part of, to experience the light and shadows for themselves and to follow the loose narrative I presented.

LHMH window reflection EA 2

The windows in the space had been covered with two-way mirror, so you could see out in the day time but at night the work took on a very different quality as the windows turned into mirrors and reflected the whole installation over and over again. The clarity of reflection and the shadow path words reflecting the right way in the mirrored windows gave the effect of many alternative spaces.

I was really pleased with the result of the work as I was never truly going to know how it would look until it was installed in the space, and neither did I know how visitors were going to react to and interact with it. I’m pleased to say that the reaction was positive, I had some interesting conversations during the exhibition and I also had anonymous feedback sheets which contained some wonderful interpretations of the work and most importantly, how it made visitors feel when they walked around it.

Abstract LHMH EA 6

Here is a selection of some of the comments of what people enjoyed most:

“The immersive nature of the light against the shadows. I thoroughly enjoyed the inclusion of text as a sculptural object.”

“A feeling of comfort juxtaposed with fear – beautiful shadows. The use of words in reflection. The sense of vertigo induced by reflection.”

“Light Holds Me Here drew me in, felt slightly uncomfortable in anticipation. Amazing effect at night with reflections in the windows.”

“The reflection that felt like I was teleported in different dimensions then projected.”

“How the sound of the words in my head fit snugly into the sensory experience of the space.”

This post contains some of my own photographs of the exhibition, but on my website you can see all the professional photographs of all the work along with the time lapse video showing the change from day to night in the exhibition. 

View more pictures from the exhibition here.

Shadow walk1 LHMH EA

 

Twist your viewpoint - Elisa Artesero

Twist your viewpoint – Elisa Artesero

Well I’ve been working away on my solo exhibition ‘Light Holds Me Here’ and things are starting to come together. I don’t want to go too much into detail about exactly what I’m creating as I’d like it to be a surprise. I am, however, working on a huge scale, one which I’ve never worked on before and in order to develop the work I’ve gone through a few new processes.

I can, and do, think in terms of space – how to move around it and what effect I’d really like to create in an installation. I’ve worked with small scale models of my installation to develop the ideas and lighting effects I’m wanting to create. I imagine it’s a bit like how architects work when they build their scale models.  Now I’m having the pieces manufactured at scale and so the full effect of the work within the actual space will not be apparent until I get there and install it – so it’s a nervous but also exciting time!

The space! 4th floor, Castlefield Gallery New Art Spaces

The space! 4th floor, Castlefield Gallery New Art Spaces

In the lead up I’ve had a studio critique day with various curators from places such as Manchester Art Gallery, Curated Place and the e-Luminate Festival Cambridge. This worked well to introduce my work and to coherently express what it is that I’m trying to do, and to get valuable feedback from professionals within the field. The response was really positive so it’s good to feel I have support from the people I respect in the industry. As a result, the Director of e-Luminate was able to secure a lighting sponsorship with Pulsar on my behalf, so I’ll be using top quality lights for the installation – brilliant news for a light artist!

 

Pulsar outline logo

 

This exhibition is a result of a period of research and development, supported using public funding by the National Lottery through Arts Council England. The funding has given me time to concentrate on developing my practice, to find out about and work with new materials, learn new skills and show work on a much larger scale than previously possible. Next up will be the light and text festival in the Faroe Islands with Curated Place, but one thing at a time!

 

 

 

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NOISE Festival Curator Choice

September 15, 2014

Plinth

I’m so pleased to announce that I’ve been selected as Tim Marlow’s Curator Choice for NOISE Festival 2014! My work ‘Sun Scroll’ was selected from over 5,000 entries to make the final 5 in the Fine Art category.

Tim Marlow is the Director of Artistic Programmes at the Royal Academy in London, so to have my work selected by him is a real honour. I was also awarded ‘Outstanding’ for my ‘Sun Bowl‘ and ‘Excellent’ for ‘Leap and the Net Will Appear by Denise Proctor, Artist and CEO of NOISE charity. See more of my work on my NOISE portfolio.

“A deceptively simple idea which has great clarity of vision and a wonderfully elusive and allusive result. Deftly poetic in its means of expression as much as in its content” Tim Marlow.

I was invited to the press launch at the House of Commons last week. It was here that I was able to meet the other selected artists and to speak to Tim about why he chose my work and ask questions about the art world, galleries, exhibitions and so forth.

I was also astonished to find out that a huge 1m x 1m picture of my work is on display on a plinth outside London’s Southbank until November.

To add to the list of wonderful opportunities given by the NOISE Festival, I’ll also show my work at the Buy Art Fair Manchester 24th-28th September, and then at a special exhibition at the Leeds Tetley 3rd-5th October. I really can’t wait!

I’m really excited to announce that I will soon be starting on a new project ‘Light Holds Me Here’ to create a new body of work which will fuse my two creative backgrounds in light art and literature. This project is made possible by my successful application to Grants for the Arts, supported using public funding by the National Lottery through Arts Council England.

The resulting work will be exhibited at a solo show at Castlefield Gallery’s New Art Spaces, Federation House, Manchester from 24th-28th September 2014. One of the pieces will also be exhibited at a light art and literature festival in the Faroe Islands in November with the support of Curated Place, who have been instrumental in developing the application and project plan allowing me to undertake an international commission.

I will be updating this blog with my progress and lots of other exciting developments as I go, but in the meantime, here’s some more information about my supporting partners:

 

Arts Council England

 

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Arts Council England champions, develops and invests in artistic and cultural experiences that enrich people’s lives. More information can be found here.

 

Curated Place

 

 

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Curated Place is a creative production company that delivers unique events in galleries, museums and venues across the UK, Europe and the Middle East. They’re always interested in working with new artists on financing and running projects and can be contacted at info@curatedplace.com or go to their website here.

 

Castlefield Gallery’s New Art Spaces (NAS)

 

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Castlefield Gallery’s New Art Spaces (NAS) is an initiative to create dynamic project spaces for artists, artist collectives and artists development agencies. Making use of temporary vacant retail, office and light industrial units, NAS provides opportunities for emerging creatives to incubate their practices, produce work and showcase new art to local communities. Currently CG runs New Art Spaces in Leigh, Widnes, Salford and city centre Manchester. More information can be found here.

 

Art of Youth Group Photo

Art of Youth Group Photo

I was recently selected as a UK artist representative for the Youth in Action, Art of Youth European Commission programme held in Montenegro.

The programme brought together participants from across Europe to learn about different contemporary art practices, European Citizenship, and to create collaborative pieces of artwork to be exhibited in the open air amphitheatre in Old Bar, Montenegro.

One of the things that took me, and the other three artists from the UK and Ireland, by surprise was that not all the participants were professional artists. From the selection process we had been through here, we thought it was a prerequisite. In fact, the participants from the other European countries (mainly from the Balkans) were from many different disciplines. Some were studying and others were professionals in fields such as architecture, computer science, cognitive science, art history, graphic design, law, and youth work. This turned out to be a wonderful mix, revealing knowledge, skills and different perspectives that might not have been present had the whole group been full of fine artists. It worked for lively and interesting debate about the topics concerning European Citizenship and the politics affecting each country and collectively.

The training part of the course took the form of lectures about contemporary arts practice and seminars about sense of place and European Citizenship. Details of these and the structure of the programme can be found on the blog set up by Ion Creative’s Nancy Barrett: Same Difference.

I’m still reflecting on the full experience of my time in Montenegro and the people that I met. I came away with a feeling of such happiness with the experience, the group had gelled so well, and considering we had many strong, vibrant characters among us, there was never any conflict, just sharing and understanding.

I learnt much about the different customs in each country and the passion everyone had about keeping their own national customs and identity, but also being part of the European Union as a whole, and that this was never viewed as a dichotomy.

I’m writing this on the day of the European elections with many anti-EU parties campaigning to take the UK out of the EU, precisely because they feel the UK is somehow restricted, our culture threatened and at a disadvantage by being in the EU. The main topic that came up in the Youth in Action programme was the freedom of movement, exchange of ideas and cultural experiences that being part of the EU could afford us all. To restrict that again, in my view, is to take the UK backwards, cutting off the nose to spite the face.

Unity sunlight

Unity sunlight

The group I worked with were keen to learn about using light as an art form, and so we made two pieces of work, the first a sunlight performance piece, and the second a night-time light photography made one evening on the beach with us all running around with torches probably looking possessed to any passers-by who wouldn’t necessarily realise that we were ‘drawing with light’ to 15 second exposures.

Unity

Unity is a two-part piece of work. The first is a performance using sunlight and mirrors. Five people transmit a beam of sunlight to each other in a star pattern, finally reflecting the word ‘unity’ onto the ground of the space. The unified action shows the positive effects of collaboration and understanding between EU countries. The second part is night-time light photography which addresses differences and obstacles faced through lack of understanding and knowledge of other countries. The result is a highly stylised and abstract interpretation of these issues.

Artists: Elisa Artesero Danijela Kojic Aleksandar Dragas Marta Garcevic Natasha Jordanova Genc Hani

Other pieces of work were dancing and painting performances, installations, stop motion animation and Christo-inspired tree-wrapping.

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There were many other facets to this experience; for instance the intercultural nights, where we were introduced to the strangely popular musical genre of “Turbofolk” in the Balkans, awesome fast-food pastry dish of Burek, the fact that Bulgarians nod when they mean ‘no’ and shake their heads when they say ‘yes’, and some great ska and punk from Croatia. We also ate a lot of Montenegrin cheese. A lot of cheese.

A wonderful experience that I’ll cherish for many years.

 

City Suns 1,2 & 3

Elisa Artesero City Suns 1,2 & 3

I exhibited my ‘City Suns 1,2 & 3‘ at Experience Needed exhibition at Piccadilly Place this week.

City Suns 1,2 & 3 are part of an on-going series of work. They represent the colours and patterns of the sun in the city that I observe at different times of the day and year, presented in abstract form.

The physical pieces are abstract works within themselves, but they are also activated into an ephemeral light piece to represent the fleeting and intangible experience of a sunrise or sunset in the city.

The exhibition showcased a number of recent art school graduates predominantly from art schools in the North West and featured live ‘experiences’ each day. Find out more about the exhibition and the other artists involved here.

Meanwhile, here are a few more pictures from the exhibition:

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Nesta Art Showcase, London

November 21, 2013

Tomorrow I will be showing my ‘Leap and the Net Will Appear‘ piece of artwork at the Nesta Art Showcase in London 6-8pm.

The work will then stay there for the next 6 months or so alongside other artworks also picked from the national call out earlier in the year.

Nesta’s statement about what they do:

Our aim is to support the best and brightest ideas by providing investments and grants and by using our research, our networks and our skills to help these ideas take root and flourish.

We don’t work alone – we rely on the strength of the partnerships we form with you and with others to make change happen.

 

I’ll post pictures and links when I’m back from the opening event!

Lumiere Durham 2013

November 20, 2013

Consumerist Christmas Tree by Luzinterruptus

Consumerist Christmas Tree by Luzinterruptus

We braved the biting cold and travelled up to Durham at the weekend for the 2013 Lumiere Festival. I was so excited as it’s one of the largest and most prominent light art festivals in the UK at the moment and one of great inspiration for my practice.

This year they ticketed (free) the central portion of the festival from between 4.30 and 7.30 in order to manage the crowds at the busiest times. We didn’t have tickets for this so we wandered around the outer exhibits first.

Litre of Light by Mick Stephenson

Litre of Light by Mick Stephenson

The pieces which particularly impressed me were ‘Litre of Light’ an extremely simple but effective way of using an old plastic bottle, refracted sunshine, water and chlorine to make a 55-watt solar bulb. The invention is being used to bring cheap and effective light sources to windowless dwellings across the world, it truly is a remarkable thing. The presentation here was done by Mick Stephenson. Lots of bottles had been decorated in coloured pen and placed in clustered in the walls and ceiling to create glowing growths like stalactites in a deep, dark cave. 

Platonic Spin by Nathaniel Rackowe

Platonic Spin by Nathaniel Rackowe

The floating interlocking rectangles of light of ‘Platonic Spin’ by Nathaniel Rackowe in the Crown Court Gardens were a quiet and uncanny beauty to come across. They drew out sequences in light which burned into your temporary visual memory to mesmerising effect.

[M]ondes by Atsara

[M]ondes by Atsara

By far my favourite piece was [M]ondes by Atsara in the central area of the festival. We waited in line for over an hour to get in as the crowds of people seemed to overwhelm the city, with more and more arriving all the time (testament to Lumiere’s popularity). It was worth the wait though as the light sculpture flickered like fireflies buzzing over the gardens accompanied by ephemeral voluminous light projections marking out hypnotic shapes and spaces in the rest of the garden.

I certainly love Lumiere, but I wonder how it will cope with the ever increasing crowds for next time. Last time there were a lot of people but in general we were able to amble around at leisure and happen upon pieces of work rather than being so guided (in the central zone).

I think the organisers, Artichoke, did what they could to manage the crowds, but when something is so astoundingly popular but the size of the city is so small in comparison, I wonder if eventually Durham Lumiere will become a victim of its own success. I certainly hope not. Its popularity shows the growing public love of light art and it’s wonderful to know that there are so many people who are also fascinated and delighted by the wonder that is light and all of its creative and practical possibilities.

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Light Up Lancaster

November 7, 2013

City of Colour close up

City of Colour close up

I was recently commissioned by Green Close Studios to create a site specific piece of work for the Light Up the Streets event as part of Light Up Lancaster 2013.

I had been drawn to the architecture by the river Lune on a trip to Morecambe Bay days before I saw the advert for the expression of interest. I decided to use this scene as my inspiration, creating a smaller version in the style of a stage set to fill an empty shop window.

In my practice I use light in various different ways. My more recent work has focussed on natural sunlight to create effects and develop certain themes, so it was nice to have a change and work with artificial lighting once again. I think I’m going to work fairly seasonally from now on, working with sunlight during the lighter months and going crazy with brightly coloured artificial lights in the winter!

View to the river

View to the river

Back to the work: the buildings are made into a screen to give an interesting shape and take it away from an all too literal recreation. They are however, all hand-drawn and to scale, which believe me, took quite a while to do! I made an abstract paper sky to be lit up with a brightly coloured aurora dancing above the buildings. I wanted there to be a kind of new magic to the scene so many locals will be familiar with seeing daily.

I also had the good fortune to be able to choose a line from a LitFest commissioned poem by Sarah Hymas, “By the Mouth of the Lune”. I partially cut the words out of the silver card I was using as the representation of the river, and stood them on end to reflect the bright blue light and into the silver as if ripples on the water. The line read:

A slivering luminescence and a flatness

that slips and transmutes through

the music of a blue man’s riddle

(From S. Hymas’ poem “By the Mouth of the Lune”)

I felt that these words gave an abstract, yet visually descriptive, quality to the scene and helped to tie it together.

City of Colour

City of Colour

Feedback on the night from visitors was really positive. Many took pictures or had their picture taken in front of the work, others gazed at it for quite a while, looking at the aurora dance of the sky; and children in particular were excited by the scale of the work (the buildings often being their height).

The aurora in the sky

The aurora in the sky

Apologies for the cafe logo in some of the pictures. The piece was housed in a shopping arcade, so light from other shops reflected onto the window.